Italian Rococo Era Painter, ca.1683-1754 Related Paintings of PIAZZETTA, Giovanni Battista :. | The Immaculate one | The Guardian Angel with Sts Anthony of Padua and Gaetano Thiene af | The Ecstasy of St Francis | The Assumption of the Virgin (mk05) | St. John the Baptist | Related Artists:
FLEGEL, GeorgGerman painter (b. 1566, Olomouc, d. 1638, Frankfurt am Main).
was a German painter, best known for his still life works. Flegel was born in Olmetz (Olomouc), Moravia. Around 1580 he moved to Vienna, where he became the assistant to Lucas van Valckenborch I, a painter and draughtsman. Flegel and his employer later moved to Frankfurt, which at the time was an important art-dealing city. As an assistant, he inserted items such as fruit, flowers, and table utensils into Valckenborch's works. In a period of about 30 years (c. 1600-1630), he produced 110 watercolor pictures, mostly still life images which often depicted tables set for meals and covered with food, flowers, and the occasional animal.
Gherardo StarninaItalian Gothic Era Painter, ca.1360-1413
was a Florentine painter of the early Quattrocento. According to the biographer Giorgio Vasari, Starnina initially trained with Antonio Veneziano, then with Agnolo Gaddi. He is claimed to have participated in the painting of the frescos in the Castellani Chapel in Santa Croce, Florence. He is also said to have moved to Spain in 1380 to work under Juan I of Castile, and is attributed some painting in the San Blas chapel of the Cathedral of Toledo. Several paintings formerly attributed to the Master of the Bambino Vispo are now attributed to Gherardo Starnina,
Giovanni FattoriItalian Realist Painter , 1825-1908
was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
